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Blow Up
2007
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2007
video
Blow-up is a high resolution interactive display that is designed to fragment a surveillance camera view into 2400 virtual cameras that zoom into the exhibition space in fluid and autonomous motion. Inspired by Antonioni, the piece is intended as a
Stereoscopic Displays and Virtual Reality Systems II
1995
Fisher, Scott S. and Mark T. Bolas and John O. Merritt, ed. Stereoscopic Displays and Virtual Reality Systems II. Proc. SPIE 2409, Cambridge: 1995.
Virtual Interface Environment
1985
Fisher, Scott S.. Virtual Interface Environment In Space Station Human Factors Research Review, Volume IV: NASA Conference Publication 2426, Dec. 3-6, Moffett Field, California: NASA Ames Research Center, 1985.
Music Plays Images X Images Play Music
1996
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1997
"Music Plays Images x Images Play Music" is a multi-media concert that uses the system of Toshio Iwai's piano piece and visualizes a musical performance by Ryuichi Sakamoto in real time. The idea for this collaborative performance has its
24hour Social
2014
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2016
24hour Social is a data-driven 24 hour generative video installation that questions how identities are constructed as data in an era of social media that act as authentic platforms for performances of the self and simultaneously as systems of data-
Albedo 0.30
2019
24hr video loop for LED mosaic, permanently installed in the entrance lobby of the F. Hoffmann - La Roche home for IT (HIT255) in Kaiseraugst, Switzerland. Themed with the two cycles of life and sun, the 33 x 14 ft mosaic, like an archeological
David und Goliath ausgezeichnet
1994
Wagenhofer, Phillipe. David und Goliath ausgezeichnet Volksblatt (June 24th 1994).
24th Videomedeja Festival - Sphinx Award for Best Video
2020
Event: 24th Videomedeja Festival - Sphinx Award for Best VideoInstitution: VideomedejaComment:
Dynamic Sphere
2011
Digitally generated trompe-l’oeil ceiling, total surface of 250sq.m., entrance lobby at Hotel Ritz, Vienna
Beyond Pages
1995
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1997
Masaki Fujihata calls many of his works “experiments”. To him, BEYOND PAGES is a piece of art. This is among others due to the well-defined framework conditions that—contrary to many of his other works—are not designed as an open process. The
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