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it feels like home
2021
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2021
“It feels like home” is an online intervention that uses the synthetic space of the browser as a stage to unfold an interactive, performative and generative virtual experience. Experimenting with the notion of time during a pandemic and isolation,
Bichicuchitu
2019
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2020
video
Bichicuchitu” is a 3D computer animation inspired by new debates concerning biological productions that challenge definitions of what’s considered distinct species, calling for a reconsideration of notions on alterity. With the aim of reinterpreting
Rodent Activity Transmissions (RAT) systems
2016
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2016
This multipart work uses real-time data gathered from a colony of naked mole-rats, allowing a peek into their lives. The project reflects Julie Freeman’s fascination with their cooperative lifestyle and how it differs from human social organization.
In Particular
2009
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2009
Nanoparticles are already in daily use, for example, enhancing the functionality of sun creams and sticking plasters. Meanwhile, work is underway to develop revolutionary, futuristic advances – such as tiny machines that can zip around our
Between Zero and One
2024
Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
Virtuscope
1998
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1998
video
VirtuscopeArtist: Paul SermonComment:
HIMMEL ÜBER LEIPZIG
1994
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1994
Medienbiennale Leipzig 94 - Minima Media Installationen im öffentlichen Raum Installations throughout the city of Leipzig Fred Fröhlich, Tjark Ihmels, Paul Sermon, Andrea Zapp
Paul Sermon
1989-91 Post-graduate MFA, The University of Reading, Reading, England 1985-88 BA Gwent College of Higher Education, Newport, Wales 1984-85 Diploma in Art & Design, Bedford College of Higher Education, Bedford, England
From Telematic Man to Heaven 194.94.211.200
1997
Sermon, Paul. From Telematic Man to Heaven 194.94.211.200 In Consciousness Reframed, Proceedings of the First CAiiA Research Conference, University of Wales College, Newport, University of Wales College, Newport: 1997.
Resonance of 4
1994
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1994
Resonance of 4 (1994) is a collaborative music-creation artwork consisting of four adjacent stations, each comprised of a small podium bearing a computer mouse, a 16-by-16 grid projected onto the floor from a video projector above, and a cursor
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879