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Beesley, Philip and Oliver Neumann, ed. FUTURE WOOD. Innovation in Building Design and Manufacturing. Toronto: Riverside Architectural Press / Canadian Design Research Network, 2007.

Beesley, Philip and Nancy Yen-Wen Cheng and R. Shane Williamson, ed. FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE. Toronto: Riverside Architectural Press, 2004.

Beesley, Philip. SKIN DEEP: LIMINAL STATES. Chatham: The Thames Art Gallery, Chatham Cultural Centre, 2002.

Beesley, Philip. THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art. Toronto: Thistle Printing, 2002.

Beesley, Philip and Sarah Bonnemaison, ed. ON GROWTH AND FORM: THE ENGINEERING OF NATURE, Conference, October 5-7, 2001. Waterloo, Ontario: University of Waterloo School of Architecture, 2001.

Beesley, Philip. NEIL FORREST: HIVING MESH. Halifax: St. Mary's University Art Gallery, 2000.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.

Beesley, Philip and Rachel Machenry and Evelyn Michalofski. ON GROWTH AND FORM: TEXTILES AND THE ENGINEERING OF NATURE, Catalogue of an exhibition held at the Textile Museum of Canada. Toronto: Textile Museum of Canada, 2001.

Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.