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Anamorph-Lattice
2020
Anamorph-Lattice, 6 black-white family snapshots repeated 30 times are organized by the Voronoi mathematical model so that the images disrupt the frontal perspective viewing, creating altered perspectives reminiscent of 16th and 17th century
Anamorph Vonoroi
2020
Anamorph-Voronoi, is an image-generating software designed to produce aesthetically coherent compositions in 3D volumetric space according to visual rules translated into computer code. Inspired by the historian Jurgis Baltrusaitis’ study of
data.film
2007
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2008
how many points are there in a line? What is the number of numbers? How can we verify that the random is random? data.film is part of the datamatics project, which is a series of experiments that explore such questions, physically and
60
1995
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1995
"60" is a version of "Very Nervous System" designed especially for the "I am Listening" show of sound sculptures at the Glendon Gallery at York University, Toronto, Canada. "60" uses the softVNS.htmlI motion processor, and a additive synthesis
Jean-Baptiste Barrière
Jean-Baptiste Barrière, born 1958 in Paris, studied Music, Philosophy and Mathematics. Currently he works as a composer and since 1981 as scientist at the Ircam/Centre Georges Pompidou in Paris.
Hsin Hsin Lin
Deeply rooted in art, music, mathematics and technology, Lin Hsin Hsin has composed and realized digital music without sound card and midi instruments since 1985. She has created the first virtual art museum in the world, 1994, designed the 50th
COSIGN 2001 - 1st International Conference on Computational Semiotics in Games and New Media
2001
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2001
Event: COSIGN 2001 - 1st International Conference on Computational Semiotics in Games and New MediaInstitution: CWI (The National Research Institut for Mathematics and Computer)Comment:
EGVE´00, Eurographics Workshop on Virtual Environments
1999
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1999
Event: EGVE´00, Eurographics Workshop on Virtual EnvironmentsInstitution: CWI (The National Research Institut for Mathematics and Computer)Comment:
CWI (The National Research Institut for Mathematics and Computer)
Die mathematische Denkweise in der Kunst unserer Zeit
1949
Bill, Max. Die mathematische Denkweise in der Kunst unserer Zeit. : 1949.
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