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  • Storms
    An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,
  • Multimedia Graphics: The best of Global Hyperdesign
    Velthoven, Willem and Jorinde Seijdel, ed. Multimedia Graphics: The best of Global Hyperdesign. San Francisco, CA: Chronicle Books, 1996.
  • Hyperkult 10: Spiel-Welten: Theorien, Regeln, Interfaces -
    Event: Hyperkult 10: Spiel-Welten: Theorien, Regeln, InterfacesInstitution: Universität LüneburgComment:
  • Painting With Light at Tate Modern -
    For the opening night of the #HYPERLINK festival on 26th April 2013, Alex May debuted a 75 minute ‘Painting With Light’ live video mapping art performance in the South Tank at Tate Modern, London. Using his own custom software, Alex creates scenes
  • Portrait One -
    Marie, a French-speaking Montrealer in her thirties played by actress Paule Ducharme, appears to be lost in reverie. You may try to get her attention: when selecting "Excuse me..." on the display, Marie suddenly stares at you; then, selecting "Do
  • Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy.
    Melanitis, Yiannis. Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy. In Biotechnological and Medical Items in Science
  • Everardo Reyes
    Everardo REYES is an academic who works in the fields of information design, media art, hypermedia, and digital culture.
  • Understanding Hypermedia: From Multimedia to Virtual Reality
    Cotton, Bob and Richard Oliver. Understanding Hypermedia: From Multimedia to Virtual Reality. London: Phaidon Press, 1993.
  • HyperMedia Research Centre
  • Refraction
    "Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
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