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In Sound Mind 2006 - 2006

Human brains can subtract unwanted sense data – including sound – from the environment when we focus attention. The rest of the information is still being processed; it’s just attenuated, pushed to the background. In Sound Mind explores this
Quase catálogo 2: Artistas Plásticas no Rio de Janeiro 1975-85 1991

...De Holanda, Heloisa Buarque, ed. Quase catálogo 2: Artistas Plásticas no Rio de Janeiro 1975-85. Rio de Janeiro: CIEC / UFRJ, 1991.
Témoignage d’artiste 2007

...Benayoun, M.. Témoignage d’artiste Images, savoirs, numérique (2007).
Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” 2017

...Benayoun, M.. Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” Chronotopies, Lecture et écriture des mondes en mouvement ...
La Ville, son Modèle et l’Artiste 2010

...Event: La Ville, son Modèle et l’ArtisteInstitution: Le SAS, La BellevilloiseComment:
Dogs' Ears 2009 - 2009

... the human attraction to dogs and foreshadowed the future of arts patronage in the digital era. Launching before Kickstarter –...
Bird & the Moon 2011 - 2011

... – in this instance a light sensor at the University of the Arts (UdK) in Berlin. The bird is also hacked so that its head moves in...
The Time Machine that is Landscape 2006 - 2006

... within, behind and around Robert Clarke’s paintings, while Stewart Rainbow’s video, projected and panning slowly across the walls,...
b) nanotextures 2007 - 2007

... as part of HEARIMPROV, an experimental audiovisual concert by artist Adinda van ‘t Klooster that visualised sound for people...
“artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par l’image ?” Aux frontières du reel… et du virtuel / mobilités transfrontalières 2014

...Event: “artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par...

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