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  • Nothing of him that doth fade ... -
    3D Ceramic Print Sculpture + Mixed Reality AR installation (with /p), 2019 Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes; Nothing of him that doth fade, But doth suffer a sea-change Into something
  • Balance-Unbalance 2017: A Sense of Place / COMESTIBLE: Seven-Day Meal Plan -
    ... meals with photos and corresponding recipes (created by the artist with sustainable ingredients) meld together poetic narratives,...
  • Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition -
    ...Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition Artist ｜Pey-Chwen Lin Curator ｜Ming Turner Place｜Gallery K – Gallery L,...
  • Jose Ramon Alcalá Mellado
    ...José R. Alcalá is a media artist, curator, and researcher. Head Professor of New Media Art at the University of Castilla-La Mancha. Director of...
  • Lotus Meditation -
    ...Lotus Meditation was developed for the Art Innovation exhibition and symposium, jointly held by Kyoto University and Goldsmiths University of...
  • Featured Artist Giselle Beiguelman
    ..... Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..
  • Conspiratio
    ... of the consumed beverage. This technology was presented as part of a game entitled 'conspiratio' at the international collegiate...
  • Unexpected Growth -
    ... on the 6th floor terrace of the Whitney Museum of American Art. The growths are movable, and are periodically reshuffled by...
  • Lend me your Face! -
    ... photo of each participating visitor's face to match "driving videos" of leading public figures.* The deepfakes are displayed in... In Lend Me Your Face!, a neural network animates a single photo of each participating visitor's face to match "driving videos" of leading public...
  • Touching, Traces: The 2020 COVID Election Diaries -
    In the first year of the coronavirus pandemic it was thought that transmission was primarily through physical contact. We were hyperaware of the surfaces we touched and of the traces that may or may not be on those surfaces. Indeed, for those alone
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