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  • All American: Defining Ourselves in a Time of Change -
    "All American: Defining Ourselves in a Time of Change" features 13 contemporary artists, both national and regional artists. All ask that same question.
  • Look at This -
    The exhibition LOOK AT THIS invites visitors to reflect critically on the multitude of links between a work of art, the public, the space and the institution. At the same time, the show questions firmly established (western) perceptions. LOOK AT
  • Mozart real-time Quintett -
    Event: Mozart real-time QuintettInstitution: Spot on MozArt Comment:
  • UpStage's 20th Birthday -
    On 9 January 2024 we celebrate 20 years of UpStage! UpStage has playfully persisted for two decades of cyberformance adventures. Since its launch on 9 January 2004, UpStage has provided an accessible, artist-led online venue for collaboration,
  • Time Spectrum -
    Exhibtion for Geoff Davis on fxhash 2.0 release, with new animations, and older (1980s).
  • it feels like home -
    “It feels like home” is an online intervention that uses the synthetic space of the browser as a stage to unfold an interactive, performative and generative virtual experience. Experimenting with the notion of time during a pandemic and isolation,
  • Time Spectrum -
    Art Exhibition with release on fxhash
  • Active Living Infrastructure: Controlled Environment (ALICE) -
    Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
  • More Than Us -
    Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
  • In Sound Mind -
    Human brains can subtract unwanted sense data – including sound – from the environment when we focus attention. The rest of the information is still being processed; it’s just attenuated, pushed to the background. In Sound Mind explores this
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