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VR Webcams: Time Artifacts as Positive Features
2002
Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
Never Seen This Picture Before; Muybridge in Multiplicity
2003
Gunning, Tom. Never Seen This Picture Before; Muybridge in Multiplicity In Time Stands Still: Muybridge and the Instantaneous Photography Movement, edited by Phillip Prodger, 222-272. Oxford: Oxford University Press, 2003.
Ephémère: Landscape, Earth, Body, and Time in Immersive Virtual Space
1998
Davies, Char. Ephémère: Landscape, Earth, Body, and Time in Immersive Virtual Space In Reframing Consciousness, edited by Roy Ascott, 196-201. Portland: Exeter, 1998.
Snail Mail Gets Literal
2008
Boredomresearch. Snail Mail Gets Literal Time Magazine 172, no. 5 (August 2008).
Landscape, Earth, Body, Being, World, and Time in the Immersive Virtual Environments Osmose and Ephémère
2000
Davies, Char. Landscape, Earth, Body, Being, World, and Time in the Immersive Virtual Environments Osmose and Ephémère In Emergent Futures: Art, Interactivity and New Media, edited by Angela Molina and Kepa Landa, 47-58. : Institució Alfonse el
Time+Again: Critical Contradictions in Chris Marker's La Jetée
2002
Time+Again: Critical Contradictions in Chris Marker's La JetéeAuthor: Orlow, Uriel
A Time of Their Own: Curating the Corporate Event
2007
Rehn, Alf. A Time of Their Own: Curating the Corporate Event museumuseu newsletter 2, There is time in the museum 2 (2007).
Chronopolis: Inhabiting Time
2004
Salter, Chris and Erik Adigard. Chronopolis: Inhabiting Time Loudpaper Magazine (June 2004).
divisible Instanbul
2012
Rackham, Melinda. divisible Instanbul real time , no. 106 (December 2011/January 2012): 22-23.
WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders
2003
Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.
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