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Seeing Double
2008
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2008
The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
Against Exclusion: 3rd Moscow Biennale
2009
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2009
Event: Against Exclusion: 3rd Moscow BiennaleInstitution: Moscow BiennaleComment:
The Puppet Show
2009
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2009
Event: The Puppet ShowInstitution: The Frye Art MuseumComment:
In Praise of Shadows
2009
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2009
Event: In Praise of ShadowsInstitution: London Design WeekComment:
Dystopia
2009
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2009
Event: DystopiaInstitution: Museum AfricaComment:
Medals of Dishonour
2009
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2009
Event: Medals of DishonourInstitution: British MuseumComment:
Sydney Biennale: Revolutions: Forms that Turn
2008
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2008
Event: Sydney Biennale: Revolutions: Forms that TurnInstitution: Sydney BiennaleComment:
Turn and Widen: The 5th Seoul International Media Art Biennale (Media-City Seoul 2008)
2008
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2008
Event: Turn and Widen: The 5th Seoul International Media Art Biennale (Media-City Seoul 2008)Institution: Seoul International Media Art BiennaleComment:
William Kentridge: 10 Tapestries
2008
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2008
ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from
Shadow Quartet
2005
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2005
William Kentridge' featured Shadow Quartet - four free-standing bronze sculptures by this distinguished South African artist with a significant international profile, commissioned by the AGWA and funded through the Foundation, the Friends and a
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