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  • Orbic Field s06 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on Cotton Rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2018 This is a still image from Acevedo’s Electronic
  • Renderings of Digital Art Vectors: Digital Art of Our Time
    Paul, Christiane. Renderings of Digital Art Vectors: Digital Art of Our Time Leonardo 35, no. 5 (2002): 471-474 and 476-484.
  • Time Capsule
    Paul, Christiane. Time Capsule Intelligent Agent 2, no. 2 (1998): 4-13.
  • Making of Eve Clone I - video
    In the video Making of Eve Clone I, I looked back and represented the process of me creating Eve Clone and the evolution of her body in each period. From the original drafting of Eve Clone, which recorded my inspiration of drawings, to using
  • Doug Aitken
    Born 1968 in Redondo Beach, California (USA); 1986-1987 studied at Marymount College, Palos Verdes, CA; 1987-1991 studied at the Art Center College of Design, Pasadena, CA. Aitken lives and works in Los Angeles (USA). Aitken belongs to a generation
  • Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy.
    Brown, Richard. Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy. Leonardo 33, no. 1 (April 2000).
  • A-Volve: A Real-time Interactive Environment
    Sommerer, Christa and Laurent Mignonneau. A-Volve: A Real-time Interactive Environment In Siggraph´94 Visual Proceedings, edited by Siggraph, 172-173. New York: ACM, 1994.
  • On Line, Life Line, Art Shifts
    Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).
  • Caterina Davinio
    Caterina Davinio is an Italian computer artist, writer, and curator. Born in Foggia in 1957, she was raised in Rome and received her degree in Italian Literature at Rome University La Sapienza, where she studied with Giulio Carlo Agan, Alberto Asor
  • Rudi Knoops
    Rudi Knoops is a PhD researcher at KU Leuven / LUCA School of Arts and is affiliated with the Inter-Actions research group at the Media, Arts and Design faculty (MAD-faculty) in Genk, Belgium. His practice-based PhD in audiovisual arts – for which
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