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net.flag
2002
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2002
"net.flag" is a flag for the Internet. Every nation on earth has a flag that identifies the territory of that nation, and the flag is a symbol of conquest of new territory. One of the most memorable images of the 20th century is a scene of the
TeleZone Overview
1999
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2000
"Telezone" builds on many of the ideas of Ken Goldberg's earlier "Telegarden" (1995) also at the Ars Electronica Center, and allows a community of people to collaboratively create architectonic structures--and by extension social structures--at a
Computer Art for the Video Picture Wall
1971
Whitney, John. Computer Art for the Video Picture Wall Art International XV, no. 7 (September 20th 1971): 35-38.
20th Congress of German Art Historians
1999
Event: 20th Congress of German Art HistoriansInstitution: Association of German Art HistoriansComment:
Our Duty is to Experiment - 20th anniversary group show
2020
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2020
Event: Our Duty is to Experiment - 20th anniversary group showInstitution: Gallery Priska PasquerComment:
Architecture organique
2003
Event: Architecture organiqueInstitution: Prospective 2100, CNRSComment:
transmediale.07 unfinish!
2007
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2007
The 20th transmediale festival again explores how art and society are changing under the influence of media and technologies which become more and more dominant in our everyday lives. In contemporary art, digital media like video and electronic
back forward rewind – online exhibition for the 20th Anniversary of MediaArtLab
2020
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2020
Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI
Sensible Concepts: Mediation as a Way of Being
2015
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2015
We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
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