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  • Leggett, Mike. Beyond the Millenniums World Art 18 (1998): 76.
  • p-Soup -
    "p-Soup", a multiuser piece, uses algorithms to generate graphical events on screen whenever a visitor to the piece clicks within the art-work. There are nine graphical "flavors" that the visitor can choose from, but there are endless possibilities
  • ... the NATO states, and in...
  • Twisted Turtle -
    Twisted Turtle is an interpretation of the Korean "Turtle Ship". Commissioned by artist Nam June Paik for a 300 monitor video installation at the Taejon World Expo. (Rebecca Allen)
  • Porter, Stephen M.. Expanding the VR Aesthetic Computer Graphics World 19, no. 7 (July 1996): 4.
  • Pfizer, Gary. State of the Arts Computer Graphics World (March 1993).
  • Pesce, Mark. Cathedrals of Light In The Playful World: How Technology is Transforming Our Imagination, edited by Mark Pesce, 248-255; 267. New York: Ballentine Books, 2000.
  • Bruns, Karin. Die schöne Kunst des Spiels In Timeshift. Die Welt in 25 Jahren / The World in Twenty-Five Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • Thiel, Tamiko. The Design of the Connection Machine In The Designed World: Images, Objects, Environments, edited by Richard Buchanan and Dennis Doordan and Victor Margolin, 155-166. Oxford/New York: Berg, 2010.
  • Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for