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Absolutismus und Exzentrik. Die Kunst des Entschwindens
1993
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1993
Event: Absolutismus und Exzentrik. Die Kunst des EntschwindensInstitution: Galleria d' Arte ContemporaneaComment:
Smoke Screen Cipher, The Trap Interiors series
2009
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2013
Unsorted cipher absorbed in copiousness.
The pavillion of post-contempary curating: +MUPCA
2009
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2009
Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre
framework f5x5x5
2007
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2009
Framework is a kinetic light sculpture constituted by five modules. Each of these modules is constituted of 5 horizontal and 5 vertical square elements, establishing a grid of 5x5x5 =125 frames. This resolution writing is present in the project
Unexpected Growth
2018
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2019
Perturbations in the natural order have torn the fabric of the space-time continuum, and unexpected growths are seeping into our world - perhaps from our own future. Augmented reality apps transform our mobile devices into "ARscopes;" allowing us to
Lorna
1979
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1982
video
LORNA 1979-1983 A.D. A.D. "A precondition to video is that it does not talk back. It absorbs, rather than reflects." Preliminary Notes, 1981 While video was like a reflection that did not talk back, interactive works were like a trick, two
Pixelroller
2005
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2010
PIXELROLLER VARIOUS PROTOTYPES 2005-2010 PixelRollers do exactly what their name suggests. They are performance tools for rapidly applying any pixel based graphics (user-generated content from the internet, your phone, a dedicated camera, etc)
Open Head
1998
Open Head is Marnix de Nijss first interactive installation. Engine-powered the machine rotates a monitor attached to an arm of steel, which can reach a top speed of 120 km/hour. A visible image only appears on the screen when it is transformed by
Narcissus' Well
2006
"Narcissus' Well" is an interactive multimedia installation that investigates how we are absorbed in the ephemeral, the intangible, the invisible, and the faraway - the quest for self-knowledge mediated through technology. The installation employs a
Peter Flemming
Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of
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