Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.
1
…
(more)
45
46
47
48
(current)
49
(more)
75
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Yiannis Melanitis
Yiannis Melanitis is a conceptual interdisciplinary artist working in the realms of body, performance, digital media and bioart. He study Painting, Sculpture and holds a Masters degree in Digital Arts from Athens School of Fine Arts. He is lecturer
Memopol I
2010
... a person’s profile is no
long
er constituted by his or her...
People Quote People - The Death of the Author 2.0
2007
-
2007
video
..."The quotations no
long
er refer to the correct authors. On the mock...
Zeitblut (blood of time)
1972
-
1979
... is covered and I am no
long
er visible." Taken from a...
Seeing Double
2008
-
2008
The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
Tweet Time
2014
-
2014
... then the date, will no
long
er be acceptable. The...
XV: Fifteen Points
2015
-
2015
video
... When a presence is no
long
er sensed, the shapes are...
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
-
2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
The Muse
1990
-
1990
“The Muse” 1990 Featured article by noted curator Maurizio Calvesi on Csuri in Art E Dossier primar Italian Art Magazine. The Muse is an example of Csuri’s later work, combining heavy impasto painting with 3D rendering in a technique called “texture
FERROCRYSTALS
2014
... The task of art is no
long
er to offer final answers,...
1
…
(more)
45
46
47
48
(current)
49
(more)
75