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BIOS
2017
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2017
Roehrs & Boetsch is pleased to present Banz & Bowinkel’s first solo exhibition ‘BIOS’ at the gallery. ‘BIOS’ stands for Basic Input/Output System, which is the first program a computer’s microprocessor uses to get the computer system started after
Featured Artist Scenocosme
12/2014
.. known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature ..
Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
cast01 // Living in Mixed Realities
2001
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2001
Living in Mixed Realities What does it mean to live, play and work in a world shaped and perceived through digital media, networks and architectures of real and virtual space? How can the development of complex communication spaces, life
To face the challenges of the world, increasingly technologically dependent, we propose ontological levels of creative technologies in Art and TechnoScience, blurring the limits of the life and the engineered reality
2020
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2020
Fifth International Online Congress on Education and New Media - 2020 - Heritage of the New Media
Déjouer L´image: Creations elecroniques et numériques
2002
Duguet, Anne-Marie. Déjouer L´image: Creations elecroniques et numériques. Paris: Jaqueline Chambon, 2002.
La Technologie dans l´art. De la photographie á la realite virtuelle
1998
Couchot, Edmond. La Technologie dans l´art. De la photographie á la realite virtuelle. Paris: Editions Jacqueline Chambon, 1998.
Largus : Art and Giving
2006
Parent Sylvie and Martel Christine. Largus : Art and Giving. Quebec, Canada: La Chambre Blanche, 2006.
Fragments for Georges Méliès, Black Box / Chambre Noir
2007
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2007
Event: Fragments for Georges Méliès, Black Box / Chambre NoirInstitution: Moderna MuseetComment:
The Magic Flute
2007
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2007
On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
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