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  • Kisseleva Olga. REWRITING WORLDS. Moscow, Russia: 4th Moscow Biennale of Contemporary Art, 2011.
  • Goldberg, Ken and Matthew T. Mason and Russell H. Taylor. Sensor-Based Manipulation Planning as a Game with Nature In Robotics Research, edited by R. Bolles and B. RothCambridge, MAS: MIT Press, 1987.
  • Laura Netz (Barcelona, 1982). Curator, artist, and researcher. Currently, she is an MPhil student at CRiSAP – UAL, where studies the new tendencies in curatorial practices in sonic arts. In 2006, she graduated in Art History (University of
  • mitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • Conclusive Evidence -
    Conclusive Evidence is the title of one of Vladimir Nabokov's novels, which deals with his experience of emigration. In the Russian version, which appeared a few years later, the same novel was called Other Shores. This play on the titles is all the
  • Partner: Dmitry Gelfand Camera Lucida creates a fleeting ephemeral materiality by intersecting ultrasound with hyperlight, in essence it creates an unstable sonic aurora. Developed in collaboration with numerous physics research labs the
  • Olessia Turkina. female nano, catalog. Moscow, Russia: Moscow Museum of Modern Art, 2011.
  • Backstein Joseph. Lesson of History, catalog. Moscow, Russia: ICA, 2010.
  • 2nd Moscow Biennale of contemporary art. 2nd Moscow Biennale of contemporary art,. Moscow, Russia: 2nd Moscow Biennale of contemporary art, 2007.
  • Solovyova Larisa. Olga Kisseleva, a Clearing between East and West. Nijni Novgorod, Russia: ,, 2004.