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A 442 Hz.
2013
-
2022
video
Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
RESET III and VIRTUAL REALITY
2017
-
2017
With Virtual Reality (VR) a fundamental change is taking place in the digital age. Through the VR glasses people enter a new world instead of only looking at it on a flat screen. The human pursuit of immersion already demonstrated within the
Transmettre
1997
Debray, Regis. Transmettre. coll. Le champ médiologique, Paris: Odile Jacob, 1997.
L'architecture de la cyberception
1996
Ascott, Roy. L'architecture de la cyberception In Les cinq sens de la création, edited by M. Borillo and A. Sauvageot, 184-194. Seysell: Editions Champ Vallon, 1996.
Reflections on the 8th International Biennale of Champ Libre
2009
Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).
Déchiffrage et chiffrage de la création codée: 30 ans de pratique à risque dans le champ du numérique
2015
Event: Déchiffrage et chiffrage de la création codée: 30 ans de pratique à risque dans le champ du numériqueInstitution: Videoconferences, ArtComTec, TransnumeriquesComment:
LART - Laboratory of Research in Art and TechnoScience
2010
Ethan Bach
Ethan Bach is internationally known for his media art which is primarily in immersive and interactive media. Bach received an MFA in Electronic Arts from Rensselaer Polytechnic Institute in 2008 and BA in Media Production from The Evergreen State
Recherche et création dans le champ "innommable" des médias émergents
2004
Event: Recherche et création dans le champ "innommable" des médias émergentsInstitution: Rencontres art et multimédia, Finnish InstituteComment:
THE ISLE THAT WAS A BOOK
2010
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2011
video
A revolutionary Poetry Book, programmed in Web Based VRML and conceived for immersion. Texts translated from "Vite de la Banane", available at the New York Public Library, and the urbana Champaign Library of Illinois. Read by the author. The
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