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  • Installation: 4 reliefs (CNC technology) and 4 photographs (digital print on acrylic support) dim: reliefs (each): 80 x 80 cm; photographs: 60 x 60 cm The crystal structures are microscopically analyzed using computer programs, which allow the
  • Water Catalogue Linear Video 1984 1984, 27:30 min, color, sound A lyrical fusion of hypnotic images, original music and spoken narrative text, The Water Catalogue is a meditation on the power and poetry of water. In this impressionistic "video
  • Light Folds Craig Tattersall and Bill Seaman The Seaman and the Tattered Sail Available as a digital Release: https://facture.bandcamp.com/album/light-folds-2 The audio process Light Folds by The Seaman and The Tattered Sail is a collaboration
  • WOODEN WORLDS -
    Wooden Worlds is a multimedia performance, which is developed from the several different sound and visual layers, which interact with each other in real-time. Together they create an atmospheric constellation. The attention of the audience is
  • me & u -
    Me & U Date made: 2005? Materials: responsive, screen-based installation. Other information: Exhibited in a group show at University Galleries. Illinois State University, Illinois, USA. October 28 to December 14, 2005 "me & u" is an interactive
  • Kim Asendorf is a conceptual artist and works in a large area of media and digital related art. He loves to transport things from the Internet into real life and back. Kim did several net art projects, often based on data taken from the Internet or
  • Fleischmann, Monika. Globale Netzhaut - Multimediaforschung in Kunst und Kultur In Menschen-Masse-Medien, Interaktion oder Manipulation, edited by Beate SchneiderUlm, DE: Internationales Forum für Gestaltung, 1997.
  • Goldberg, Ken and John Canny. A RISC Approach to Sensing and Manipulation In Robotics Research, edited by Richard Paul and Georges GiraltStanford, CA: IFFR, 1993.
  • Light object Series 'Mirrors of the Unseen (MotU)' 'MotU #7' and 'MotU #8', from the series 'Mirrors of the Unseen', feature words and symbols that seem to float in the space like holograms, which observers can only perceive as afterimages using
  • Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.