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  • William Kentridge -
    ... Develop, Catch Up, Even Surpass (1990), uses the fateful words of Ethiopian leader...
  • ADA_ArtistInterview_SuzanneAnker.pdf
    ... computer hacking was pursued in the 1990’s, as a way to engage with the...
  • Featured Artist Suzanne Anker
    ...calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.
  • ADA_Feature_Diana_Domingues.pdf
    ... the late 1970s and particularly in the 1990s she introduced pioneering actions,... a collective you worked with?Since 2010 I hold the position of Senior Visiting...
  • Featured Artist Diana Domingues
    Diana Domingues, a pioneering artist-engineer, scholar, and researcher from Brazil, has impacted and shaped the landscape of electronic art in Latin America. By bridging the realms of intangible culture and rituals within Latin American native
  • Featured Artist George Legrady
    George Legrady has exhibited across the world and is widely recognized as one of the early digital artists that researched the semiotic and cultural implications of software-produced images. His work encompasses a wide range of digital experiments
  • ADA_LEGRADY_FEATURE_2023.pdf
    ... to work in digital media in the early 1990s, digital reconstruction has been a necessary... Gil. “Making Visible the Invisible”. (2010) MAS Context website, accessed March 14,2023...
  • Featured Artist Sommerer and Mignonneau
    The two internationally renowned media artists and researchers based in Linz/Austria have been active as an artistic couple since the ‘90s and have especially pioneered in the field of interactive media art and exlporations of artificial life.
  • ADA_Feature_Sommerer_Mignonneau_author_Zamora.pdf
    ... such as Magic Eye – DissolvingBorders (2010), which confronts the users with unexpected...
  • Featured Artist kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
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