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  • Leonel Moura is a pioneer in the application of robotics and artificial intelligence in art. In 2001 he created the first robot arm able to generate unique paintings operate by an ‘ant algorithm’. In 2003 a swarm of ‘Painting Robots’ were able to
  • Born in Brunswick, Germany, in 1951. Studied economics and communications at University of Hannover and University of Göttingen, 1973-79. Artist and publisher. Editor of European Photography magazine, Göttingen and Berlin, since 1980. 1985-94
  • Belting, Hans. Bild-Antropologie: Entwürfe für eine Bildwissenschaft. München: Fink, 2001.
  • Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.
  • Frauenhofer Institute for Media Communication, ed. The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality. Sankt Augustin: 2001.
  • Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • Punt, Michael. Autopoiesis Ars Electronica (Ken Rinaldo) Convergence: The Journal of Research into New Media Technologies (2001).
  • 010101
    Cutler, Randy Lee. 010101 Canadian a/r/t 18, no. 3 (Fall 2001): 118-120.
  • Deussen, Oliver and Bernd Lintermann. Pflanzenbilder aus dem Computer Spektrum der Wissenschaft 2 (2001): 58-65.
  • Donath, Judith and Dana Spiegel and Matt Lee and Kelly AND Goldberg Dobson. Collaborative Tele-directing In CHI ´01, : 2001.