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Marcello Mercado

Biological theories, mathematical principles, and technology are founding elements in his work. He straddles the boundaries between video art, performance, net.art, music, and painting. An amalgam of nuances from a world ruled by data overload.
From Cybernation to Interaction: A Contribution to an Archeology of Interactivity 1996

Huhtamo, Erkki. From Cybernation to Interaction: A Contribution to an Archeology of Interactivity In Wunschmaschine Welterfindung: Eine Geschichte der Technikvisionen seit dem 18. Jahrhundert, edited by Brigitte Felderer, 192-207. Vienna/New York:
Exhibition (9th September - 24th September 2017) 2017 - 2017

Curator: Atsuhito Sekiguchi
1 minute or Abominable Abdominal Wrinkles 1998

Abominable Abdominal Wrinkles reffers to a Rrose Sélavy´s text: "Abominables fourrures abdominales".It belongs to a series of Writings produced by Duchamp based in the dadaist manner. The video (1 minute) plays with compactation of information
Das selbstbewußte Bild: Vom Ursprung der Metamalerei 1998

Stoichita, Victor. Das selbstbewußte Bild: Vom Ursprung der Metamalerei. München, DE: Wilhelm Fink Verlag, 1998.
Kacs Zeitkapsel: Selbsteinkapselung 2000

Tomasula, Steve. Kacs Zeitkapsel: Selbsteinkapselung Kunstforum 151 (July-September 2000): 125-129.
Geomart-ut1 2021 - 2021 video

Geomart-ut1Artist: Selcuk ArtutComment:
Geomart-ut24 2023 - 2023

Artwork: Geomart-ut24 Technic: Technological Arts, Creative Coding, Geometric Arts Year: 2023 (Exhibited at the 10th Mediations Biennale Asia-Europe) Geometric patterns sometimes appear as a reflection of an order we observe in nature, and sometimes
Panspermia 1990 - 1990

Panspermia is the name for the theory that life exists and is distributed throughout the universe in the form of germs or spores. This piece places the viewer in the middle of a virtual world of an aggressively reproducing inter-galactic life
Notizen zum Wandel der Skulptur in der Epoche der elektronischen Immaterialität. Zu Gottfried Bechtolds selbstreferentiellen Skulpturen 1994

Neue Galerie Graz, ed. Notizen zum Wandel der Skulptur in der Epoche der elektronischen Immaterialität. Zu Gottfried Bechtolds selbstreferentiellen Skulpturen. Graz: 1994.

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