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  • ...Marta de Menezes. eConsciousness eConsciousness conference catalogue chapter, Central House of Artists. (2013).
  • ...Marta de Menezes. eConsciousness eConsciousness conference catalogue chapter, Central House of Artists. (2013).
  • ...Michael Connor. The new normal. New York City: Independent Curators International/Artists Space, 2008.
  • Dogs' Ears -
    ... gav’ – or the universal twitch and flap. Dogs’ Ears both spotlighted the human attraction to dogs and foreshadowed the future of arts patronage in the digital era. Launching before Kickstarter – Dogs’ Ears was a revolutionary crowdfunding/patron style work, asking...
  • Bird & the Moon -
    ... of the light responds to real-time data from a remote site – in this instance a light sensor at the University of the Arts (UdK) in Berlin. The bird is also hacked so that its head moves in response to the light. While the moon is at its brightest, the...
  • ... Julie Freeman’s environmental field recordings are embedded within, behind and around Robert Clarke’s paintings, while Stewart Rainbow’s video, projected and panning slowly across the walls, periodically intersects with the paintings. Poet Karen McCarthy...
  • b) nanotextures -
    ... designed for use as a real-time visual score. It was created as part of HEARIMPROV, an experimental audiovisual concert by artist Adinda van ‘t Klooster that visualised sound for people interested in improvisation and audiovisual media, and who had hearing...
  • ...Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.
  • ...Watson, Dave. Artists Seize the Digital Realm in Startling Ways Georgia Straight Newspaper 38, no. 1926 (November 18 - 25, 2004 2004): 17.
  • ...Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.