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  • Fleischmann, Monika and Wolfgang Strauss. Responsive Workbench In Visual Proceedings, Annual Conference Series 1994, edited by ACMNew York: ACM Siggraph, 1994.
  • International arts collective founded by Verónica Peráles, Fred Adam and Andy Deck, concerned with ecology, sustainability, and media. Since its formation in 2001 it has produced a series of critically acclaimed works and exhibitions under the
  • Myron Turner's works created for the web have been collected and shown in a variety of Internet venues, including the Whitney Artport series, Javamuseum, and the Rhizome Artbase, and in 2006 he was nominated for a Viper award. He was also among the
  • Weibel, Peter. Machine Experienced Space Series of Philosophy of Art and Art Theory 14 (1999): 157-171.
  • Broadbent, Donald, ed. The Simulation of Human Intelligence. Wolfson College Lectures Series, Oxford: Blackwell Publishing, 1993.
  • Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
  • Spielmann, Yvonne. Hybrid Culture: Japanese Media Arts in Dialogue with the West. Leonardo Book Series, Cambridge MA: MIT Press, 2012.
  • Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.
  • Peraica, Ana. The aesthetics of the negative; or the negative dialectics of photography Journal of Physics Conference Series 012013, no. 230 (2010).
  • DeGrow, Don. Myron Turner: Autobiography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.