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  • LAB 1: ART+COM - Virtual Reality and The Divine Spark -
    ...ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in their home. It was a...
  • eConsciousness
    ...Marta de Menezes. eConsciousness eConsciousness conference catalogue chapter, Central House of Artists. (2013).
  • eConsciousness
    ...Marta de Menezes. eConsciousness eConsciousness conference catalogue chapter, Central House of Artists. (2013).
  • Tele-Lectures -
    ...Tele-Lectures - Netzspannung.org Streaming Service 2001-2004 has a wide range of video documentation of lectures by renowned artists and academics produced in collaboration with well-known partners from the fields of culture and science. Selected lecture series on...
  • Audible Collage -
    The audio play "Audible Textcollage" offers a performance in which two electronic reporters, Klara and Rainer, based on AT&T Text-to-Speech, using rule-based AI methods, have a conversation about the book and also provide a book review of the print
  • eConsciousness
    ...Marta de Menezes. eConsciousness eConsciousness conference catalogue chapter, Central House of Artists. (2013).
  • The new normal
    ...Michael Connor. The new normal. New York City: Independent Curators International/Artists Space, 2008.
  • Rewind: Artists’ Video in Britain 1970s and 1980s,
    ...Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.
  • Artists Seize the Digital Realm in Startling Ways
    ...Watson, Dave. Artists Seize the Digital Realm in Startling Ways Georgia Straight Newspaper 38, no. 1926 (November 18 - 25, 2004 2004): 17.
  • Sonifications of Global Environmental Data
    ...Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.
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