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Expanded Cinema
1970
Youngblood, Gene. Expanded Cinema. New York: Dutton, 1970.
Presence as Being-in-the-World
1998
Zahorik, Pavel. Presence as Being-in-the-World Presence: Teleoperators and virtual Environments 7, no. 1 (February 1998): 78-89.
Goeteborg far eget IT-College
1996
Garaguly, Marie von. Goeteborg far eget IT-College Goeteborg-Posten (November 1996).
Intriguing Works by New Generation of Women Artists
1993
Frank, Peter. Intriguing Works by New Generation of Women Artists Long Beach Press-Telegram (March 1993): 14.
Eloge de la simulation
1986
Queau, Philippe. Eloge de la simulation. Paris: Diffusion, Presses Universitaires de France, 1986.
Künstler für fünf Minuten
1997
Grau, Oliver. Künstler für fünf Minuten c´t Magazin für Computertechnik , no. 6 (1997): 104-108.
The Angel of Extinction
1996
Gessert, George. The Angel of Extinction Northwestern Review 34, no. 3 (1996).
Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung
1982
Gibson, James J.. Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung. München: Urban and Schwarzenberg, 1982.
Aesthetics of a Virtual World
1995
Gigliotti, Carol. Aesthetics of a Virtual World Leonardo 28, no. 4 (1995): 289-295.
Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag"
2001
Girst, Thomas. Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein
genetisch manipuliertes Ökosystem "Der achte Tag" Frankfurter Rundschau (August 2001): 19.
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