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Center for Art and Visual Culture
20 - 21 Visual Arts Centre
2000
MIT List Visual Arts Center
Sara Damiani
I'm a researcher at the University of Bergamo (Italy). My main areas of research are the connections between art history practices, visual culture, and the digital media.
Machiko Kusahara
Machiko Kusahara is a scholar in media art, digital media culture and media history. She is a professor at Waseda University, Tokyo, and holds a Ph. D. in Engineering from University of Tokyo for her theoretical study on interplay between media
On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05
2005
Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].
WINTERMUSIK
2007
-
2007
The interconnection between the musical and the visual work is particularly based on a constant exercise of deconstruction, where the human being and his body emerge as a matter of invention and of “decomposition” in many expression and in a
IO
1990
Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited
Insect.Desperto
1995
Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
Robert W. Sweeny
Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in
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