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Information Weapons "Super Clean Room" 1990 - 1990

This installation took place in a real Super Clean Room at Toyoko Global Environment Laboratory. A "Clean Room" is an artificial air space without any dust or germs...it's air contains nothing: no contaminants. Such rooms are maintained in
Borderless Under the Skin 1992 - 1994

This piece is contained inside of a "Biohazrd Tent", or isolation chamber. Inside of the tent are several I.V. drip bags for blood transfusions, delivery of drugs etc. Inside of each I.V. drip bag is a surgical glove which has been fitted with
Eye tracking informatics 2011 video

This interactive installation generates traces of two participants' eye tracking. The participants experience an almost "haptic" kind of communication based on their own visualized eye tracking. In this process, their organic eye trace construct
Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music) 2004

Diputación de Malaga, ed. Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music). Malaga, Spain: Centro de Ediciones de la Diputación de Malaga, 2004.
Gravicells - Gravity and Resistance 2004

Yamaguchi Center for Arts and Media, ed. Gravicells - Gravity and Resistance. Yagamuchi, JP: Yagamuchi Center for Arts and Media, 2004.
Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking 1996

Mikami, Seiko and Tomohiro Itami. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, Japan: Artlab, 1996.
Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking 1996

Mikami, Seiko. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, JP: Artlab, 1996.
About and Around the "Molecular Informatics - Morphogenic Substance via Eye Tracking" Continuum 2004

Mikami, Seiko. About and Around the "Molecular Informatics - Morphogenic Substance via Eye Tracking" Continuum In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Diputación de MalagaMalaga: Centro
The Cartography of the Mind’s I 2014

Event: The Cartography of the Mind’s IInstitution: Barbara Seiler GalleryComment:
I am a Sensor 2013

Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes

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