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  • sonja bäumel in collaboration with maurizio montalti (Officina Corpuscoli) mirko daneluzzo & tommaso casucci (Co-de-iT) Waag Society's Open Wetlab WASP self-initiated WORKSHOP AT THE WAAG SOCIETY AMSTERDAM Interactions between Biological and Digital
  • Water Wheel - video
    Water Wheel(1985), a seven channel installation presented through a circle of monitors, incorporating material from The Water Catalogue Music by Bill Seaman In Water Wheel I was exploring fragments from the linear work The Water Catalogue. A
  • Quotes -
    Print on circuit board The 'Quotes' series brings forward questions regarding research ethics and responsibility in science. Landscape format PCB blanks become image carriers; their motifs and quotations, composed in monochrome black or white, had
  • Joachim Blank, Mitbegründer von Internationale Stadt Berlin, war seit Beginn der 90er Jahre als Künstler, Initiator und Autor in grundlegende Projekte involviert, die den durch die Digitalisierung ausgelösten Paradigmenwechsel hinterfragten. Mit
  • material - immaterial -
    Event: material - immaterialInstitution: Centro Culturale TreviComment:
  • Event: Material Environments: Sensing Time and Matter in Digital & Visual CultureInstitution: University of GreenwichComment:
  • Não!
    "Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the
  • Lisa Cianci. Applications of energy: a study of artists and entropy in the material In The Materiality of the Archive: Creative Practice in Context, edited by S. Breakell and W. Russell, 122-142. : Routledge, 2023.
  • Caterina Davinio is an Italian computer artist, writer, and curator. Born in Foggia in 1957, she was raised in Rome and received her degree in Italian Literature at Rome University La Sapienza, where she studied with Giulio Carlo Agan, Alberto Asor
  • Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic