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Monologue 2021
2009
-
2021
... combines new technologies and the elements of classical
art
from Chinese dance, music and calligraphy. New Technologies such as...
Shine Together-Turning Natural Melody
2020
-
2020
... The result is shared on a cloud database, collecting each p
art
of sharing and transmission, as well as controlling the changes of...
Infinity of Sound-Light Scope Away
2020
-
2020
... the rhythm, mirror space, p
art
icipants will feel like they
art
floating, as if they were among the stars in the eternal universe....
Oncena Bienal de La Habana: Prácticas
art
isticas e imaginarios sociales
2012
...Jorge Fernández Torres. Oncena Bienal de La Habana: Prácticas
art
isticas e imaginarios sociales. ISBN: 978-88-89477-54-0 th ed.Habana: Maretti...
Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas
art
ísticas)
2011
... Tecnológicos (Dispositivos móviles: usos masivos y prácticas
art
ísticas). Buenos Aires: Ariel, 2011.
El Tercer Umbral. Estatuto de las prácticas
art
ísticas en la era del capitalismo cultural
2004
...Brea, José Luis. El Tercer Umbral. Estatuto de las prácticas
art
ísticas en la era del capitalismo cultural. Ad Hoc Ensayo, Murcia, Spain:...
Silent group Picture
2019
-
2019
Please stand in front of the mechanical lamp. It will observe and track your face, as well as interact with you. It will follow you whenever you move to the right or left, taking pictures of your face, and then generating images of various people in
Greenhouse
2017
-
2017
... humanity and environment from numbers, words and actions." The
art
istic concept of this work is “calculation anxiety or the...
Spring up Ⅱ-Coexistence
2014
-
2014
... in a rapid recoiling motion by all. The inspiration for this
art
work is derived from the experience of hiking. In the forest, a...
Video: Primera etapa. El vídeo en el contexto social y
art
ístico de los años 60/70.
2004
...Baigorri, Laura. Video: Primera etapa. El vídeo en el contexto social y
art
ístico de los años 60/70.. Madrid: Brumaria 4. Asociación Cultural...
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