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Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.

García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.ISBN: 978-987-1496-03-7. pages 77 to 89, Extranjeros en la Tecnología y en la Cultura th ed.Buenos Aires, Argentina:

García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.Book chapter. ISBN: 978-987-1496-03-7, Extranjeros en la tecnología y la cultura th ed.Buenos Aires, Argentina: Colección

Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.

Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.

Cox, Donna J. and Ellen Sandor and Janine Fron. New Media Futures. The Rise of Women in the Digital Arts. Urbana, Champaign: University of Illinois Press, 2018.

Benayoun, M.. Emotion Winds, Video Installation FLUX, Metamorphosis of the Virtual 5+5, Digital Art Today Paris-Shanghai (2014).

Benayoun, M.. On Digital Mutations in the Landscape of Chinese Contemporary Art’ On the Road – Young Media Artists in China (2018).

Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).

Berlot, Uršula. Bio-organic Systems. In: MUNZ, Thomas (ed.). Transmediale 08: Conspire: Festival for Art and Digital Culture Berlin Berlin: Kulturprojekte Berlin GmbH (2008).