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  • Badani, Pat. Foreignness and Translation in New Media ,http://median.newmediacaucus.org/archives_in_progress/pre_2009_issues/issues.php?f=papers&time=2009_spring&page=front. [24.04.2009].
  • Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.
  • Hauser, Jens. It’s Time for a Wetware Update In WETWARE: Art - Agency - Animation, edited by David Familian and Jens Hauser, 11-21. Irvine: Regents of the University of California, 2016.
  • Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.
  • Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for
  • Garavaglia, J. and C. Robles. WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time Interactive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012 (2012): 54-59.
  • DATA DYNAMIX -
    POINT TO POINT, Mark Napier Point to Point is a public art work that uses the motion of people in public space to drive an evolving graphic display. The display is projected onto the wall in the space and can be viewed as well on the internet; web
  • Event: Ars Electronica 2003: CODE - The Language of our TimeInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Event: Giselle Beiguelman - an Individual RetrospectiveInstitution: Hull Time Based ArtsComment:
  • Art in the Anchorage -
    Event: Art in the AnchorageInstitution: Creative TimeComment: