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  • Das perfekte Verbrechen
    Baudrillard, Jean. Das perfekte Verbrechen. München: Matthes and Seitz, 1996.
  • Artists Seize the Digital Realm in Startling Ways
    Watson, Dave. Artists Seize the Digital Realm in Startling Ways Georgia Straight Newspaper 38, no. 1926 (November 18 - 25, 2004 2004): 17.
  • Bloom
    Bloom is an internet-based Earthwork that transforms seismic data into an exhuberant display of color. A seismometer at the Hayward Fault continuously measures the Earth's motion and transmits this data over the Internet to the installation, where
  • Marcello Mercado
    Biological theories, mathematical principles, and technology are founding elements in his work. He straddles the boundaries between video art, performance, net.art, music, and painting. An amalgam of nuances from a world ruled by data overload.
  • From Cybernation to Interaction: A Contribution to an Archeology of Interactivity
    Huhtamo, Erkki. From Cybernation to Interaction: A Contribution to an Archeology of Interactivity In Wunschmaschine Welterfindung: Eine Geschichte der Technikvisionen seit dem 18. Jahrhundert, edited by Brigitte Felderer, 192-207. Vienna/New York:
  • Intabyu
    Ascott, Roy. Intabyu In The Multimedia and Cultural Evolution, edited by M. Sekiguchi, 94-99. Tokyo, Japan: Nippon Telegraph and Telephone Publishing Co. Ltd., 1997.
  • Exhibition (9th September - 24th September 2017) -
    Curator: Atsuhito Sekiguchi
  • 1 minute or Abominable Abdominal Wrinkles
    Abominable Abdominal Wrinkles reffers to a Rrose Sélavy´s text: "Abominables fourrures abdominales".It belongs to a series of Writings produced by Duchamp based in the dadaist manner. The video (1 minute) plays with compactation of information
  • Das selbstbewußte Bild: Vom Ursprung der Metamalerei
    Stoichita, Victor. Das selbstbewußte Bild: Vom Ursprung der Metamalerei. München, DE: Wilhelm Fink Verlag, 1998.
  • Kacs Zeitkapsel: Selbsteinkapselung
    Tomasula, Steve. Kacs Zeitkapsel: Selbsteinkapselung Kunstforum 151 (July-September 2000): 125-129.
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