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On Broadway
2014
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2016
Interactive application and a public installation commissioned by New York Public Library for its exhibition "The Public Eye" How does a "data city" look like? We did not want to show the data in a conventional way using only graphs and numbers. We
pOes1s: Ästhetik digitaler Poesie / The Aesthetics of Digital Poetry
2004
Block, Friedrich W. and Christiane Heiback and Karin Wenz. pOes1s: Ästhetik digitaler Poesie / The Aesthetics of Digital Poetry. Ostfildern: Hatje Cantz Verlag, 2004.
Genesis
2004
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2004
Event: GenesisInstitution: Mary and Leigh Block Museum of ArtComment:
Glume
2004
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2005
Glume is a computationally enhanced translucent modeling medium which offers a generalized modular scalable platform with the physical immediacy of a soft and malleable tangible material. The Glume system consists of soft and translucent
Paul Hertz
Paul Hertz is an independent artist, printmaker, and curator who works with algorithmic processes. From 1971 to 1983, he lived and worked in Spain, where he collaborated with actors and musicians. He earned a BA in Fine Arts from Brown University
Value of Values, Speculative Speculations on the Blockchain
2019
Event: Value of Values, Speculative Speculations on the BlockchainInstitution: ISEA2019Comment:
Value of values, Transactional Art on the Blockchain
2019
Event: Value of values, Transactional Art on the BlockchainInstitution: ISEA2019 VoV IVO, Art Center NabiComment:
Value of values, Transactional Art on the Blockchain
2018
Event: Value of values, Transactional Art on the BlockchainInstitution: Microwave International New Media Arts Festival 2018Comment:
VALUE OF VALUES ON THE BLOCKCHAIN
2018
Event: VALUE OF VALUES ON THE BLOCKCHAINInstitution: Microwave Unconference 2018Comment:
We Feel Fine
2005
We Feel Fine is an exploration of human emotion on a global scale. Since August 2005, We Feel Fine has been harvesting human feelings from a large number of weblogs. Every few minutes, the system searches the world's newly posted blog entries for
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