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  • DE L’AUTRE CÔTÉ -
    Multichannel audiovisual composition (3Ch-Video, 4.1 Ch-Audio) This audiovisual journey focuses on viewing a natural field from a different perspective, with the perception of subtle movements and sounds leading the viewers / listeners to a magical
  • ... to the transformation of the human spirit. Source: news.artnet.com the horizontal composition. Birds in the Hat epitomizes the artist’s interest in image transformation as analogous to the...
  • ...Zapp, Andrea. Networked Narrative Environments In ACM Siggraph Computer Graphics Conference/Networked Performance: How Does Art Affect... Computer Graphics Conference/Networked Performance: How Does Art Affect Technology and Vice Versa, Los Angeles, CA: 2005.
  • ...Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and... Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.
  • Multiplicity N°19 -
    ... style silkscreen series and its further development as a kinetic object. A black square. Lines without a vanishing point, 119 in... source of inspiration for this kinetic object was the Op-Art art of the 60s. As they captivated the recipients by strong contrasts,...
  • Mixed reality installation "COMBATscience Augmented II" is a mixed reality installation that critically reflects on science and its ethical implications, beginning with the gas attacks in World War I and continuing to contemporary research on
  • ... sculptures created with a computer-driven milling machine. Artist's Comments This work made use of the Bessel function to...
  • ...Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester:...
  • ... - PTSD and Culture. INC Readers, Amsterdam: Institute for Networked Culture, 2009.
  • ...Kac, Eduardo. Ornitorrico and Rara Avis: Networked Teleprescence Art Leonardo 29, no. 5 (1996): 389-400. Kac, Eduardo. Ornitorrico and Rara Avis: Networked Teleprescence Art Leonardo 29, no. 5 (1996): 389-400.