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  • Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).
  • Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
  • Fisher, Scott S.. The Eye in Time: Looking Back InterCommunication 4 (Spring 1993).
  • Fisher, Scott S. and A. Marion. Real time Computer Graphics from Body Motion In Optics in Entertainment, edited by C. OutwaterSPIE 391, Cambridge, MA: 1983.
  • Rudi Knoops is a PhD researcher at KU Leuven / LUCA School of Arts and is affiliated with the Inter-Actions research group at the Media, Arts and Design faculty (MAD-faculty) in Genk, Belgium. His practice-based PhD in audiovisual arts – for which
  • Bernd Lintermann works as artist and scientist in the field of real time computer graphics with a strong focus on interactive and generative systems. The results of his research are applied in the scientific, creative and commercial context. His
  • Zhan Wang is widely recognized as one of China's leading contemporary artists today. Working in installation, photography and video, his sculpturally informed practice challenges ideas of landscape and environment, addressing the urban, rural,
  • Goldstein, Jon. Silicon and Acorns Time Digital (October 1998): 16.
  • Naimark, Michael. VR Webcams: Time Artifacts as Positive Features In ISEA 2002 Proceedings, Nagoya, Japan: 2002.
  • Scott, Jill. Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe, London: BFI London and