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Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery) 1996

Event: Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery)Institution: the School of the Art Institute of Chicago (SAIC)Comment:
Petersburger Hängung in progress 2020 - 2020

Event: Petersburger Hängung in progressInstitution: Galerie Lisi HämmerleComment:
Face Value – the Artistic Value of Currencies 2019

Reinhuber, Elke. Face Value – the Artistic Value of Currencies In Virtualities and Realities . New Experiences, Art and Ecologies in Immersive Environments, edited by Rasa Šmite and Raitis ŠmitsLiepāja: RIXC/Mākslas pētījumu laboratorija, Liepāja
Decentralization of contemporary art – exhibition as petition 2016

Event: Decentralization of contemporary art – exhibition as petitionInstitution: Gallery Zelenica, RogComment:
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Vanitas 2012

Grafenauer, Petja. Vanitas Equrna Gallery, Ljubljana, Slovenia (http://www.ursulaberlot.com/wp-content/uploads/2019/12/Grafenauer-Petja.-2012.pdf 2012).
time to back up! 2000

"Time to back-up?" stellt den sehr reduzierten zweiten Teil der Biennale-Arbeit "IO_lavoro immateriale" von Knowbotic Research dar, die aus zwei in eine graue Wand eingebauten Lautsprecherpaaren und einem CD-Brenner besteht. Man hört die von

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