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The Architecture of Listening, Crossfade: Sound Travels on the Web 2000

Chris Salter. The Architecture of Listening, Crossfade: Sound Travels on the Web .
Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico 2020

Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana
I am Listening 1995 - 1995

Event: I am ListeningInstitution: The Power PlantComment:
Listening Post 2008 - 2008

Event: Listening PostInstitution: Science MuseumComment:
Poetic Potential - Video Poetics at the Long Beach Museum of Art 1990

Barrie, Lita. Poetic Potential - Video Poetics at the Long Beach Museum of Art Artweek 21, no. 23 (June 1990).
Snail Mail Gets Literal 2008

Boredomresearch. Snail Mail Gets Literal Time Magazine 172, no. 5 (August 2008).
Parasites, Influences and Tranformations /Parasitic Electronic Seance 1998 - 2000

Nervousness. Allergy. Dependence. A hypersensitive environment transforms the image to a reactive system which parasites on it¹s surroundings, circumstances, observer. The image behaves like a instable network, a mutating virus, a overloaded nervous
Specimen of Secrecy about Marvelous Discoveries 2006 - 2006

… is a series of works comprised of what Kac calls "biotopes", that is, living pieces that change during the exhibition in response to internal metabolism and environmental conditions. Each of Kac's biotopes is literally a self-sustaining ecology
/rosa (Zentrum für Netzkunst, Panke Gallery)
His Master's Voice 2001 - 2001

HMV is a board game. The players can move semi-autonomous ball robots by making sounds. Form and gravity collude with voice, board and chance. Each ball listens to a certain pitch and starts to move if the right frequency was hummed or sung. The

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