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Sensible Concepts: Mediation as a Way of Being 2015 - 2015

We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
Genesis 1999 - 1999

Genesis is a transgenic artwork that explores the intricate relationship between biology, belief systems,information technology, dialogical interaction, ethics, and the Internet. The key element of the work is an "artist's gene", a synthetic gene
A Arte no Século XXI: a humanização das tecnologias 1997

Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.
Creative Technologies and Disruptive Innovation for Reengineering Future: From Humanization to Naturalization of Technologies trough Enactive Affective Systems 2018 - 2018

SAM+
Metal Performance: Humanizing Robots, Returning to Nature, and Camping About 2004

Dixon, Steve. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About TDR 48, no. 4 (Winter 2004).
Plateau of Humankind 2001

Event: Plateau of HumankindInstitution: Venice BiennaleComment:
Lo humano y lo invisible 1996 - 1997

Event: Lo humano y lo invisibleInstitution: Asociacion de Cultura Contemporanea L'AngelotComment:
Repensar o humano em conexões com lugares imaginários 2006

DOMINGUES, DIANA MARIA G. Repensar o humano em conexões com lugares imaginários Razón y Palabra , no. 49 (2006): 49.
Pleasure Machine 1999 - 1999 video

The performance occurs inside a capsule. We may control the avatar of the performer through a remote computer. The distance between the audience and the performer is set to 7 metres. We may type words, wishes or commands from our keyboard directly
TEDx Berkeley - Can Robots Inspire Us To Be Better Humans? 2012

Lecture

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