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Manovich, Lev and Jeremy Douglass. Visualizing Temporal Patterns in Visual Media http://manovich.net/index.php/projects/article-2009.

Aceti, Lanfranco. The Cultural Body’s Death by a Thousand Cuts: Why Society Is No Longer a Body and Why It Can Be Cut to Pieces Journal of Visual Culture 14, no. 2 (August 2015): 137-154.

Aceti, Lanfranco. Eternally present and eternally absent: the cultural politics of a thanatophobic Internet and its visual representations of artificial existences Mortality 20, no. 4 (2015): 319-333.

Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.

Shin, Ryan, ed. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement, 2016. University of Arizona: IGI Global, 2016.

Berlot, Uršula. The Aspects of Light in the Contemporary Visual Art and Architecture Sodobnost 12/2004. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2004).

Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

McGarrigle, Conor and Marisa Lerer. Art in the Age of Financial Crisis Visual Resources 34, no. 1-2 (2018): 1-12.

Anker. Fundamentally Human: Neuroscience and Visual Art. 1st th ed.Istanbul, Turkey: Pera Museum, 2011.

Pink, Sarah and Roderick Coover and Pat Badani and Flavia Caviezel and Mark Marino and Nitin Sawhney and William Uricchio, ed. "Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology. Vol.Advances in