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  • Graham Nicholls
    In 1999 Graham Nicholls had his first solo show in New York City. This was to launch him onto an international arena. Since that time his work has become more and more experimental and cutting edge. With work such as LAM exploring the possibilities
  • In the Open -
    Exhibition of collaborative artworks around place, landscape and environment, curated by Judith Tucker,to accompany the ASLE-UKi LAND2 CMIT conference (6 to 28 September 2017)
  • International Conference On Live Interfaces -
    Ellen Pearlman, “Is There A Place In Human Consciousness Where Surveillance Cannot Go?”
  • BIAN International Digital Art Biennal – ELEKTRA -
    2018 Arsenal Contemporary Art Museum BIAN INTERNATIONAL DIGITAL ART BIENNIAL (BIAN) - ELEKTRA Curator: Alain Thibault The 4th edition of BIAN takes place from June 29 to August 05 2018
  • EZTV Media
  • Dinka Pignon
    Dinka Pignon is an interdisciplinary media artist working with spatial video installation and performance art. Her experimental practice is characterized by a strong affinity for the phenomenal, liminal, conceptual and minimal. Her work is situated
  • Featured Artist Diana Domingues
    Diana Domingues, a pioneering artist-engineer, scholar, and researcher from Brazil, has impacted and shaped the landscape of electronic art in Latin America. By bridging the realms of intangible culture and rituals within Latin American native
  • LAUTUNDLEISE
    Reactive light environment Public indoor swimming pool, Dornbirn (A), competition 2005- present [English title, loud and quiet] 'LAUTUNDLEISE' was conceived for the newly-built indoor pool in Dornbirn. The interactive light environment dynamizes the
  • Kayla Parker
    Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • Rachel Strickland
    Rachel Strickland describes herself as an architect who practices in motion picture media more than pencil and paper. Her work of the past 25 years has focused on cinematic dimensions of the sense of place, and new paradigms for narrative
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