Archive Search

  • ... to life in the site and to the natural life of the ecological environment. A transdisciplinary team that includes artists, biologists, information technology and automation people is responsible for this work. The human action through the net by...
  • ...DOMINGUES, DIANA MARIA G and Grupo ARTECNO. INS(H)NAK(R)ES. Caxias do Sul: Lorigraf, 2001.
  • ...DOMINGUES, DIANA MARIA G and Grupo Artecno. Caverna do trance In Memórias do Futuro, edited by Itaú Cultural, Catalog. São Paulo: 2007.
  • ...Event: "Digital Echoes" featured by Galerie Artecont ViennaInstitution: Parallel ViennaComment:
  • SonoMorphis - video
    ... alterations in shape and space in a plausible way, and to be abstract enough where needed to not duplicate a real-world artefact. The technique of choice is known as physical modelling which derives the emerging sound from the physical properties of an...
  • ...The Mechanic of Emotions is an art opera in 15+ parts each part can be a statement, an event, an installation, an object, a concert, a performance, a web site, a business... the Mechanics of Emotions (M-E) try not to tell the story of the poetics, economics,...
  • ... alterations in shape and space in a plausible way, and to be abstract enough where needed to not duplicate a real-world artefact. The technique of choice is known as physical modelling which derives the emerging sound from the physical properties of an...
  • Dust -
    ... never the same; it happens live and per chance. The humans disturb the dust, cause the chaos – the body is a part of digital artefact.
  • ...DOMINGUES, DIANA MARIA G and Grupo Artecno. Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood Revista Polêmica 14 (2005).
  • ...DOMINGUES, DIANA MARIA G and Grupo Artecno. Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood Revista Polêmica , no. 14 (2005).