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  • Lozano-Hemmer, Rafael. The Trace: Remote Insinuated Presence YLEM (September 1997).
  • Lozano-Hemmer, Rafael. Re:Positioning Fear Archis (1998).
  • Lozano-Hemmer, Rafael. The Relational Museum In Proceedings of the International Association of Telecommunication Museums, London, UK: 1998.
  • The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
  • "Autopoiesis", 2010 mirror, surveillance camera, laser projector, proximity sensor, computer running custom face-tracking algorithms 20" x 14" x 7.5" / 51 x 36 x 19 cm edition of 6, 1 AP When people look at themselves in this small mirror they see
  • "Please Empty Your Pockets," 2010 conveyor belt, Mac mini, HD projectors, HD camera dimensions variable edition of 6, 1 AP "Please Empty your Pockets" is an installation that consists of a conveyor belt with a computerized scanner that records and
  • Lozano-Hemmer, Rafael. Utterance 4 - Relational Architecture Performance Research Magazine 4, no. 2 (Summer 1999).
  • Lozano-Hemmer, Rafael, ed. Vectorial Elevation, Relational Architecture No.4. Cuauhtemoc, MEX: Conaculta, 2000.
  • Lozano-Hemmer, Rafael and Susie Ramsay. Spain Wide Web Telepolis, Heise online (April 1996).
  • Sukuraman, Ashok. A Critical Review of Rafael Lozano-Hemmer's Work in Venice .