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  • Born in Brunswick, Germany, in 1951. Studied economics and communications at University of Hannover and University of Göttingen, 1973-79. Artist and publisher. Editor of European Photography magazine, Göttingen and Berlin, since 1980. 1985-94
  • Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • Ray, Tom. Overview of Tierra at ATR Technical Information, Technologies for Software Evolutionary Systems , no. 15 (2001).
  • Vesna, Victoria. Towards a Third Culture: Being In Between Leornardo On-line 34, no. 2 (2001): 121.
  • Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Prophet, Jane. TechnoSphere: "Real" Time "Artificial" Life Leonardo 34, no. 4 (August 2001): 309-312.
  • Sommerer, Christa and Laurent Mignonneau. Creating Artificial Life for Interactive Art and Entertainment Leonardo 34, no. 4 (August 2001): 303-307.
  • University of Caixas do Sul, ed. Instrumental Poetics: The Interactive Art of Diana Domingues. Caixas do Sul: Grupo Artecno - Lab NTAV, 2001.
  • Sommerer, Christa and Laurent Mignonneau. Life Spacies II In Microwave – International Media Art Festival 2001, edited by E. Pau and T. Kong, 8-9. Hong Kong: Microwave, 2001.
  • In 1999 Graham Nicholls had his first solo show in New York City. This was to launch him onto an international arena. Since that time his work has become more and more experimental and cutting edge. With work such as LAM exploring the possibilities