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REIMAGINE TOMORROW, 1954-2024
2024
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2024
The exhibition REIMAGINE TOMORROW, 1954-2024, showcases a glimpse of how artists work with technology in their time and what happens to art on the path from thinking to hallucinating machines.
FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
2014
O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
Aktionsforum Praterinsel
1993
Alex May
Alex May (b. 1972) is an English artist exploring a wide range of digital technologies, most notably video projection onto physical objects (building on the technique known as video mapping or projection mapping by using his own bespoke software),
Erkki Huhtamo
Erkki Huhtamo works as a professor at the University of California Los Angeles (UCLA), Departments of Design Media Arts, and Film, Television, and Digital Media. He received his Ph.D. in cultural history from the University of Turku, Finland.
Adriano Abbado
Adriano Abbado has always been interested in non-verbal communication. In 1972 he made his first experiments with photography and environmental sounds. In 1977 he graduated in Electronic Music Composition at the Conservatory of Milan. In 1981 he
Julius Popp
Julius Popp (born 1973) is an artist based in Leipzig and New York. Popp was born in Nuremberg. His work often uses technology,[1] resulting in interdisciplinary ventures which reach across the boundaries of art and science.[2] An example of
Pulse Room
2006
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2006
video
Pulse Room is an interactive installation featuring one to three hundred clear incandescent light bulbs, 300 W each and hung from a cable at a height of three metres. The bulbs are uniformly distributed over the exhibition room, filling it
Michael Rodemer
Michael Rodemer's multifaceted education, acquired in the United States, Germany, and France, encompasses degrees in German, English, Comparative Literature, and Sculpture. This dual interest in the written word and in the "word-become-material" has
DOCUMENTING MEDIA ART:Towards a social WEB 2.0-Archive for MediaArtHistoriesand an integrative Bridging Thesaurus
2016
Grau, Oliver and Sebastian Haller and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. DOCUMENTING MEDIA ART: Towards a social WEB 2.0-Archive for MediaArtHistories and an integrative Bridging Thesaurus Tagungsband des Vereins
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