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  • Data First?! -
    Event: Data First?!Institution: Digital Humanities Austria Comment:
  • DeadPlanetFine* -
    DEADplanetFINE* #interactive #mouseover #animations DEADplanetFINE*, is an Orwellian web 1.0 retro-renaissance remixology project consisting of looped animated mouseover gif-film-crawls. DEADplanetFINE*, are animated acid humorous
  • IGUAQUE -
    1998 05:30 min, color, stereo sound. The Muisca legend tells us that Bachué (Mother of humanity) came from the water, from a lagoon called Iguaque and after giving birth to humanity, she returned there. ... The reverie produced by water and the
  • Charlie Chaplin, Stelarc and the Future of Humanity
    Penny, Simon. Charlie Chaplin, Stelarc and the Future of Humanity Artlink 9, no. 1 (1989).
  • Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life
    Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.
  • Utopia or Oblivion: The prospects for humanity
    Fuller, R. Buckminster. Utopia or Oblivion: The prospects for humanity. Los Angeles: The Estate of Buckminster Fuller, 1969.
  • Everything could be so much better! - video
    With this work Elke Reinhuber is imagining a world in which only robots are extant. They are continuously repeating the phrases which they learned while humans were only wondering how our planet could be saved. The immersive installation lures the
  • Sensible Concepts: Mediation as a Way of Being -
    We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
  • Genesis -
    Genesis is a transgenic artwork that explores the intricate relationship between biology, belief systems,information technology, dialogical interaction, ethics, and the Internet. The key element of the work is an "artist's gene", a synthetic gene
  • A Arte no Século XXI: a humanização das tecnologias
    Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.
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