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Pearlman,Ellen. Review of Contemporary Chinese Art, Primary Documents, by Wu Hung, Leonardo on-Line Reviews December.

Benayoun, M. and Maria Roussou. Immersive Virtual, Mixed, or Augmented Reality Art The International Journal of Arts and Technology (2010).

Benayoun, M.. Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistique 01 Design, Edit. Europia (2010).

Benayoun, M.. La crise de nerf du corps global Nouvelles cartographies, nouvelles villes HyperUrbain II (2010).

Benayoun, M.. The Nervous Breakdown of the Global Body, An organic model of the connected world http://www.academia.edu/35783157/The_Nervous_Breakdown_of_the_Global_Body_An_organic_model_of_the_connected_world.

Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.

Siri Engberg, ed. FROM HERE TO THERE: ALEC SOTH'S AMERICA. Minnesota: Walker Art Center, 2010.

Hosale, Mark-David and Chris Kievid. Modulating Territories, Penetrating Boundaries Footprint 6, no. 55- 67 (Spring 2010): 12.

Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).

Puncer, Mojca. Sodobna umetnost in estetika/Contemporary Art and Aesthetics Ljubljana: Publicistično društvo ZAK, Maribor: Pedagogic Faculty (2010).