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Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts
2006
Boredomresearch. Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts furtherfield.org website (2006).
The Similar Eye: Proxy Life and Public Space
2002
Oliver, Julian. The Similar Eye: Proxy Life and Public Space In Computer Gambes and Digital Cultures Conference Proceedings, : Tampere University Press, 2002.
V and A Pattern: Digital Pioneers
2009
Beddard, Honor and Douglas Dodds. V and A Pattern: Digital Pioneers. London: V and A Publishing, 2009.
The World of Digital Art
2010
Lieser, Wolf and [DAM] gallery Berlin and Cologne, ed. The World of Digital Art. Potsdam, DE: h.f.ullman publishing, 2010.
Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima
2005
Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
From Participation to Interaction: Towards the Origins of Interactive Art
1996
Dinkla, Söke. From Participation to Interaction: Towards the Origins of Interactive Art In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman-LeesonSeattle: Bay Press, 1996.
The Digital Computer as a Creative Medium
1967
Noll, A. Michael. The Digital Computer as a Creative Medium IEEE Spectrum IV, no. 10 (October 1967): 89-95.
The Digital Shock
2006
Fischer, Hervé. The Digital Shock. Quebec: McGill and Queen's University Press, 2006.
Digital Resistance: Explorations in Tactical Media
2001
CAE. Digital Resistance: Explorations in Tactical Media. New York: Autonomedia, 2001.
Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities
2011
Grau, Oliver. Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities In Mind and Matter: Comparative Approaches towards Complexity, edited by Günther Friesinger and Johannes Grenzfurthner and Thomas Ballhausen,
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