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REFLEXION - In Sync / Out of Sync - is a real-time light and sound installation consisting of electroluminescent (EL) wires and octophonic (8.2) sound. The main concept is based on research showing that our heartbeats can be synchronised by

video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.

The kaleidoscopic rhythmic structure of a recurring pattern is not a computer-generated picture, but a video recording taken on a digital camera and a kaleidoscopic instrument. The infinite recurrence of one and the same element in micro- and

(2020, 7” HD video brochure, video loop, sound, 8.26" x 5.82”) Captured while on transit to New York one year ago. I found myself next to a fellow traveler suffering from a severe cold. These days I would most likely start up and run, but at that

The Time TravelerArtist: Lales PetrosComment:

SKIN is an interactive performance, in which the artist interacts with sounds and images using the GSR (Galvanic Skin Response) interface, which measures her skin's moisture in order to create the audiovisual environment. The variations of these

Installation and storage/sculpting system that collects the creation of digital files in real time. The system is prepared for the rendering of 3D scenes that are collected in a series of marble sculptures with a USB memory inside.

Celeste embodies the idea of the digital unification of different skies in different locations around the world. Through a beacon equipped with the necessary material to capture the image of the sky in real time, the system extracts the colours

Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the

Gulliver's Travels ©1998, C. Sommerer, L. Mignonneau and R. Lopez Gulliver Visitors are inserted with a 3D panorama representing a natural forest. The forest was photographed with 2 analog photographic machines with several shots. The third