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An der digitalen Leine. 2017

Rauterberg, Hanno. An der digitalen Leine. Die Zeit , no. 05 (January 2017).
Bilder in einer Welt ohne Rahmen 2017

Sheer, Ursula. Bilder in einer Welt ohne Rahmen FAZ (February 2017).
Wo realer und virtueller Raum verschmelzen 2016

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
Banz & Bowinkel / Kunst und Denker Contemporary 2015

Irrgang, Christina. Banz & Bowinkel / Kunst und Denker Contemporary https://www.kunstunddenker.com/banzbowinkel.
Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel 2017

Birch, Lisa. Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel http://www.berlinartlink.com/2017/02/07/virtual-reality-the-unframed-world-an-interview-with-banz-bowinkel/.
RISING: Young Artists to keep an Eye on! 2011

Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
Speaking Subject — Lin Pey- Chwen’s Eve Clone 2014

Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series 2016

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series 2010

Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity 2014

Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).

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