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An der digitalen Leine.
2017
Rauterberg, Hanno. An der digitalen Leine. Die Zeit , no. 05 (January 2017).
Bilder in einer Welt ohne Rahmen
2017
Sheer, Ursula. Bilder in einer Welt ohne Rahmen FAZ (February 2017).
Wo realer und virtueller Raum verschmelzen
2016
Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
Banz & Bowinkel / Kunst und Denker Contemporary
2015
Irrgang, Christina. Banz & Bowinkel / Kunst und Denker Contemporary https://www.kunstunddenker.com/banzbowinkel.
Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel
2017
Birch, Lisa. Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel http://www.berlinartlink.com/2017/02/07/virtual-reality-the-unframed-world-an-interview-with-banz-bowinkel/.
RISING: Young Artists to keep an Eye on!
2011
Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
Speaking Subject — Lin Pey- Chwen’s Eve Clone
2014
Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series
2016
Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series
2010
Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity
2014
Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).
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